With Rosalind Russell reprising her role from the stage, this film is made by her scene stealing portrayal. The film opens when a rich man dies suddenly and his young son is sent to live with his Auntie Mame. She is a social, energetic and free-spirited woman. Despite the fact that Patrick was raised proper, Auntie Mame soon teaches him how to enjoy life and they grow close to each other.
However, Patrick is taken to a boarding school against the wishes of his aunt. They still remain close as Mame tries to get work and then she meets a southern gentleman. Patrick is growing up as Mame travels the world with Beau. He is killed in an accident so Mame returns home to work on a memoir. She soon realizes how grown up her little Patrick is because there is a girl he is intent on marrying.
Mame does not voice her displeasure with this upper class girl and her superficial parents. Instead she invites them all to dinner and by sabotaging everything Mame makes Patrick realize he is not like these people. He once again embraces her idea that life is a banquet and most poor suckers are starving to death. You have to get out and live a little.
This film was shot almost like a stage play and I found it rather long but Russell is superb and she holds the film together nicely.